Pluto Era – “WUMBO”

by Kyle Taylor | New arrays of laser-cutting bass grit coming at you today via the bass space traveler Pluto Era. Wading into some relatively new territory for the Philadelphia producer, Dan Getz (Pluto Era) demonstrates an inexorable ability to develop riveting sound design no matter the spectrum he is attacking. From low end bass scrapes to space-age … Continue reading →

Ryan Viser – Volumetric EP [Mile High Sound Movement] | Name Your Price

by Anthony Salupo | Ryan Viser has been extremely busy since his debut album, Metamorphosis.  He has been in constant tour mode, spreading his brass-infused electronica from his home state of Louisiana to Colorado, Oklahoma, Arkansas, as well as some Midwest and Northeast stops with the Filibusta Live Band tour- including a surprise set at … Continue reading →

[PREMIERE] FunkFiles.026 :: Blue Future – “Sunset Before Night” | FREE DL & Artist Interview

by Kyle Taylor | There is a new generation of musicians living among us, those who combine the sounds and influences of past greats with the technology of the future. One such particular individual is Jeremy Oleson, known to most as Blue Future. Hailing from Chicago, Oleson melds together soul and blues with modern bass music intricacies. The resulting … Continue reading →

Ives – Illusion EP [Street Ritual] || Name Your Price

by Kyle Taylor | Let your mind drift off into the strange audio wilderness. Whether in need of some new beats to fill free time, to help escape the monotony of a long drive, or simply to knock down speakers in the club, the solution to your woes is no doubt the new Illusion EP from Nashville producer Ives. Finding its … Continue reading →

bean boy – “i don’t like the sky” [Funkadelphia Recordings] | Exclusive Premier

by Dan Getz | Lush soundscapes and environments will encapsulate any listener of this deeply percussive piece as it begins to take shape through a wide field of melodic rhythm. As the single, “i don’t like the sky”, begins to break down, its primary theme is exposed and the environment accents that very aspect with incredible delicacy. At the … Continue reading →

Levitation Jones x Orchestrobe – Fuzzy Muffler EP

by Dan Getz | When you measure gravitational waves from the outer edges of space and convert them to audible sound waves, this is what you’ll get.  The Fuzzy Muffler EP is the culmination between two well-known producers in the bass scene, Levitation Jones and Orchestrobe. The release unveils the unique possibilities of experimental sound design when … Continue reading →

goldenSpiral – Dark Matter EP [Funkadelphia Recordings] | Name Your Price

by Kyle Taylor | The audio mastermind goldenSpiral returns with the new Dark Matter EP. Taking a stroll through the ever-evolving world of bass music, Adrian Palaschevsky (goldenSpiral) is far from bashful in embracing the genre’s profound depth and diversity. Further demonstrating the musical brilliance of his hometown of Philadelphia, goldenSpiral features fellow local musicians Alicia … Continue reading →

Is the DJ or the Mud Making That Noise? – Infrasound Music Festival 2016 Recap

by Kyle Miller | Infrasound Music Festival has proven itself, yet again, to be the holy ground of bass music. With a new location being pounded on by four straight days of rain, “Infraswamp” (as it quickly came to be known as this year) became a goopy, foggy, sludge fest, which- in retrospect- perfectly accompanied the deep, … Continue reading →

Infrasound 2016 Artist Spotlight #5: Joker | Plus New Release: The Phoenix EP [Kapsize Recordings]

by Kyle Taylor | This one goes out to all the true bass heads; to all of you who dig deep and really evaluate with your ears; that never take music for granted; that are always pursuing the latest progressions. Joker might not be new to the plate, but his insight into bass music is nothing short of … Continue reading →

Gala In The Grove Artist Spotlight #7: Jade Cicada | Plus Artist Interview & Ticket Giveaway

by Kyle Taylor | Music genres have become seemingly unnecessary, and nearly a hindrance at times when trying to discuss the current state of not just electronic or dance, but music in general. When attempting to explain the sound of a new artist, referencing similar and familiar artists proves far more effective than attempting to pinpoint … Continue reading →